about us

Cool Change (est. 2018) is an artist-run initiative based in Boorloo / Perth, Western Australia. Since our inception, we have hosted exhibitions, artist residences, performances, workshops, talks, and operated a small shop. Volunteer-led and not-for-profit, the organisation is committed to presenting experimental and critically engaged artistic practice in a welcoming and accessible environment with an agile and responsive outlook. The CC Bon Marche (2018-2022) archive can be accessed here.

From July 2022 to June 2023, Cool Change was closed to the public for relocation and reorganisation. Two phrases guided our approach to reopening:

slow roll

From what we have learnt over the last four years about volunteer-led arts organisations, a slow roll approach is needed to sustainably and strategically renew our operations. We need to remain responsive to changes and currents surrounding us, while also maintaining an agile structure that can adapt and bend to account for the needs of the emerging and experimental practices that

Cool Change should shrink and expand where needed, taking time to recoup, listen and breath as desired. To recommence at a slow roll pace is to account for the capacities of our volunteer team and those around us.

as is

The nature of space and site is an important variable for arts organsations. As a collective, we are driven by a resourceful and responsible approach to space and site, which does not take for granted the opportunity to operate on the unceded lands of Whadjuk Noongar people, and recognising our place as settler artists and workers on this land.

What is the impact emerging volunteer arts organisations have had on property, community and inner-city lifestyle, and how has this impact been considered and remunerated by resourced and established businesses? This is an open question and a demand for the labour of emerging artists, writers, curators and workers to not be taken lightly. Cool Change is reconsidering the ubiquity of the white-cube and the impact this has had on potential for exhibition-based arts organisations to emerge.

spaces

Keeping in mind our developing methodology (a slow roll approach and the as is nature of space and site), our Hay St location forecasts a future of programming that is sustainable, engaged and capable of housing a wide gamut of experimental artistic practices. On the other hand, we have retained a certain flexibility and openness towards challenging our location; along with the option to pursue offsite opportunities where possible. At the moment, Cool Change calls home an office tenancy on the second level of the ‘Kings Complex’ building (on Hay Street in the CBD east end). We have divided our tenancy into two spaces:

office

The CC office is a shared working and event space, archive and inventory storage. For the last year, the office has been utilised for collective meetings, training, discussions, reading groups, board game nights and strategic planning.

Our ambition is that the CC office provides a comfortable and consistent working environment to continue to develop and improve Cool Change as an organisation. We plan to host a range of programming in this space, as well as offer our desks, coffee machine and facilities as a resource for collaborators.

project space

A two-room adjacent office tenancy is what we currently call the project space. A fickle and particular space (thin walls, old carpet, inflexible lighting); our hope is that a certain site-responsiveness on the part of ourselves and our collaborators can draw out the exhibitionary potential of these two rooms. More details and experiments to come.

digital

The CC Digital Research and Design team — Paul Boyé, Alexander Jones, Oli Rawlings and Alexander Turner — have been working hard to reimagine Cool Change’s digital platform and visual logic. The CC website currently offers an outlook of projects on the horizon matched with an index of past projects (2023 onward) replete with high-definition documentation, writing and information. Our ambitions for the CC digital space include: digital publications built with collaborators; a digital residency space for web-based projects; an interactive strategic plan; podcasts and field recordings; office livestreams; a repository of information for working in and supporting artist-run initiatives; …

If you are interested in working with Cool Change digitally, from anywhere in the world, please get in touch (ATTN: CCDRD in the email subject line).

team

CC Collective:
Grace Connors (Chair)
Alexander Egloff (Vice Chair)
Paul Boyé (Treasurer)
Cornah Willis (Secretary)
Kauri Minhinnick
Samuel Beilby
Danielle Fusco

General Manager:
Dan Bourke

CC Digital Research and Design:
Paul Boyé
Alexander Jones
Oli Rawlings
Alexander Turner

Tone List

Put ‘em in a box

exhibition

special-project

project-space

27 Apr – 04 May 2024

11:00–16:00

Cool Change is excited to partner with our friends at Tone List for Audible Edge Festival 2024, bringing Taiwanese curator Shih Ya Tien’s Put ‘em in a box project to our CBD project space.

Exhibition opening:
10:00 AM – 12:00 PM
Saturday, 27 April 2024

Exhibition duration:
11:00 AM – 4:00 PM, Thursday – Saturday
2 – 4 April 2024

A city is like a vast container, encompassing the chirps of birds, barks of dogs, human chatters, as well as the noises of traffic and construction sites. Activities happening in nature or facilitated by humans never cease to occur and to generate sounds. These sounds, which permeate our daily lives, come together to form delicate fragments of a place’s past and present. They quietly accumulate beyond the bounds of language and shape our understanding of a city. In order to capture, replicate, represent, and play these audio fragments, various devices for sound production and reproduction have been invented. These devices themselves, too, act as containers which facilitate the reception and circulation of intricate, mundane secrets.

Put ’em in a Box invites 5 artists residing in different cities—Chi Po Hao, Chloe Lin, Samuel Beilby, Sarah Song, suzueri (Elico Suzuki)—to share their unique perspectives on sounds through their artistic practices, and, furthermore, to exchange materials such as field recordings capturing the sounds of their local environments. This project experiments with conversions between visual and audio interfaces, while also exploring how sounds are captured, interpreted, and expressed. Through the artists’ layered reception and interpretation of sounds at the locations where they listen, in video call windows on screens, in chats, in mailed cardboard boxes, and, ultimately, within white cubes, the multifaceted attributes of Taipei, Tainan, Tokyo, Perth, and Helsinki are beautifully illustrated.

https://ae.tonelist.com.au/program/put-em-in-a-box

Closing party:
11:00 AM – 4:00 PM
Saturday, 4 May 2024

Josten Myburgh (DJ) — 13:00
Slow Point — 14:30
Josten Myburgh (DJ) — 15:00

To mark the end of Put 'em in a box, join us for a gentle afternoon closing event in the Cool Change office.

Audible Edge co-curator Josten Myburgh will DJ from their expansive collection of field recordings. You might hear snippets of frogs trilling in the Limpopo savannah, alpine country on Dhudhuroa land, dust hitting empty grain silos, and nightjars landing on microphones. Possibly augmented by a sine wave or two.

Local producer Slow Point will perform a live set of highly textured ambience, perfect for burrowing into a cushion and bringing in the late afternoon.

Cool Change will have some drinks and coffee available. Throughout, the exhibition will be open for a final view. It's held in Cool Change's adjacent Project Space, so the performances won't interfere with the listening experience of the exhibition.

https://ae.tonelist.com.au/satellite/closing-party